A Fractured Iconography of Gender in Four Saints and Three Acts

Auteurs-es

  • Gyllian Phillips

Références

Blackmer, Corinne. "The Ecstasies of Saint Teresa: The Saint as Queer Diva from Crashaw to Four Saints in Three Acts," in En Travesti: Women, Gender Subversion, Opera, ed. Corinne E. Blackmer and Patricia Juliana Smith. New York: Columbia UP, 1995: 307-347.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Lusford, Andrea and Ede, Lisa. Singular Texts/ Plural Authors: Perspectives on Collaborative Writing. Carbondale and Edwardsville: Southern Illinois UP, 1992.

Mowitt, John. Text: The Genealogy of an Antidisciplinary Object. Durham and London: Duke UP, 1992.

Perloff, Marjorie. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston, Illinois: Northwestern UP, 1990.

Perloff, Marjorie. The Poetics of lndeterminacy: Rimbaud to Cage. Princeton: Princeton UP, 1981.

Stein, Gertrude. The Autobiography of Alice B. Toklaso 1933. New York: Vintage Books, 1990.

Stein, Gertrude. and Thomson, Virgil. Four Saints in Three Acts. New York: Music Press, 1948.

Thommasini, Anthony. Virgil Thomson's Musical Portraits. New York: Pendragon Press, 1986.

Thomson, Virgil. Virgil Thomson. New York: Knopf, 1966.

Tyler, Parker. Florine Stettheimer: A Life in Art. New York: Farrar, Strauss and Company, 1963.

Zatkin, Nathan ed. Four Saints in Three Acts (1934): Program Notes. New York: Aaronson and Cooper, 1934.

Téléchargements

Publié-e

1996-05-01

Comment citer

Phillips, G. (1996). A Fractured Iconography of Gender in Four Saints and Three Acts. Tessera, 20. Consulté à l’adresse https://tessera.journals.yorku.ca/index.php/tessera/article/view/25884

Numéro

Rubrique

Articles