Vision, Touch and Feminist Epistemology

Authors

  • Elizabeth Walden

DOI:

https://doi.org/10.25071/1923-9408.25293

References

Benjamin, WaIter. "The Work of Art in the Age of Mechanical Reproduction." Illuminations: Essays and Reflections. New York: Harcourt, Brace and World, 1968. 217-51.

Buck-Morss, Susan. The Dialectics of Seeing: WaIter Benjamin and the Arcades Project. Cambridge: MIT P, 1997.

Crary, Jonathan. Techniques of the Observer. Cambridge: MIT P, 1998.

Debord, Guy. The Society of the Spectacle. Detroit: Black and Red, 1983.

Eagleton, Terry. The Ideology of the Aesthetic. Cambridge: Basil Blackwell, 1990.

Hansen, Miriam. "Benjamin and Cinema: Not a One-Way Street." Critical Inquiry (Winter 1999): 306-43. DOI: https://doi.org/10.1086/448922

Maffesoli, Michel. The Time of the Tribes. London: Sage, 1996.

Malick, Terrence, dir. The Thin Red Line. Perf. Sean Penn, Adrian Brody, James Caviezel, Ben Chaplin, George Clooney, John Cusack, Woody Harrelson. Fox, 1998.

Schutz, Alfred, and Thomas Luckmann. The Structures of the Lifeworld. Evanston: Northwestern Up, 1973.

Smith, Dorothy. The Everyday World as Problematic: A Feminist Sociology. Boston: Northeastern Up, 1987.

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Published

2002-06-06

How to Cite

Walden, E. (2002). Vision, Touch and Feminist Epistemology. Tessera, 32. https://doi.org/10.25071/1923-9408.25293

Issue

Section

Articles