Photo-textual Narratives: 'Double Exposures' and 'Still Sane'


  • Belén Martin Lucas



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Gilhooly, Sheila and Persimmon Blackbridge (Photographs by Kiku Hawkes). Still Sane . Vancouver: Press Gang Publishers, 1985.

Grover, Jan Zita. "Dykes in Context: Some Problems in Minority Representation." Ten. 8.30 (Autumn 1988):38-47.

Hutcheon, Linda. "Glances Askance: Visual Ironies." Splitting Images: Contemporary Canadian Ironies. Toronto: Oxford University Press, 1991: 113-136.

Hutcheon, Linda. "The Postmodernist Scribe: The Dynamic Stasis of Contemporary Canadian Writing." The Canadian Postmodern. Toronto: Oxford University Press, 1988:45-60.

Marlatt, Daphne. Ana Historic. Toronto: The Coach House Press, 1988.

Marlatt, Daphne. Steveston. Edmonton: Longspoon Press, 1984.

Motz, Marilyn Ferris. "Visual Autobiography: Photograph Albums of Turn-of-the-Century Midwestern Women." American Quarterly. 41.1 (March)

Ouellette-Michalska, Madeleine. "Questions Pending." In the Feminine. Women and Words/Les Femmes et les Mots. Conference Proceedings 1983.Ed. Ann Dybikowski et al. Edmonton: Longspoon Press, 1985: 27-31.

Schoemperlen, Diane (Photographs by Ida and George Schoemperlen and Jim Campbell). Double Exposures. Toronto: The Coach House Press, 1984.

Scott, Gail. Spaces like Stairs. Toronto: The Women's Press, 1989.

Sontag, Susan. On Photography. New York: Farrar, Strauss and Giroux, 1977.

York, Lorraine. The Other Side of Dailiness: Photography in the Works of Alice Munro, Timothy Findley, Michael Ondaatje, and Margaret Laurence. Toronto: ECW Press, 1988.




How to Cite

Lucas, B. M. (1992). Photo-textual Narratives: ’Double Exposures’ and ’Still Sane’. Tessera, 13.